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1995
Directed by Guy Ferland
Synopsis
Something about her captures the imagination.
Jennifer (Alicia Silverstone) is a lovely teen who has been hired to baby-sit the kids of Harry Tucker (J.T. Walsh) and his wife, Dolly (Lee Garlington). The Tuckers go to a party and proceed to get inebriated, with Mr. Tucker fantasizing about his beautiful baby sitter. Meanwhile, Jack (Jeremy London), her boyfriend, and Mark (Nicky Katt), another guy interested in her, decide to spy on Jennifer at the Tucker house, with each young man also fixated on her.
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- Cast
- Crew
- Details
- Genres
- Releases
Cast
Alicia Silverstone Jeremy London J. T. Walsh Nicky Katt Lee Garlington George Segal Ryan Slater Lois Chiles Brittany English Stephens Tuesday Knight Eric Menyuk Matthew Kimbrough Jane Alden Noel Evangelisti Michael Chieffo Hal Fort Atkinson Monty Silverstone Cameron Fuller
DirectorDirector
Guy Ferland
ProducersProducers
Spencer Franklin Matt Hinkley Steve Perry Kevin J. Messick
WriterWriter
Guy Ferland
StoryStory
Robert Coover
EditorsEditors
Victoria T. Thompson Jim Prior
CinematographyCinematography
Rick Bota
Executive ProducerExec. Producer
Joel Schumacher
Production DesignProduction Design
Philip Leonard
Set DecorationSet Decoration
Larry Leonard
StuntsStunts
Charlie Picerni
ComposerComposer
Loek Dikker
Costume DesignCostume Design
Ingrid Ferrin
MakeupMakeup
Melanie Hughes
Studio
Spelling Films International
Country
USA
Language
English
Alternative Titles
La baby-sitter, The Babysitter - Gefährliche Phantasien, La niñera, The Innocent Babysitter, Babysitter... un thriller, A bébiszitter, Innocent Babysitter, Приходящая няня, Dorință fatală, Uma Babá Objeto de Desejo, 베이비시터, Opiekunka, Bebek Bakıcısı, 風騷小保姆, 风骚小保姆, Opatrovateľka
Genres
Drama Thriller
Themes
Intense violence and sexual transgression Dreamlike, quirky, and surreal storytelling Twisted dark psychological thriller Erotic relationships and desire Show All…
Releases by Date
- Date
- Country
Theatrical
17 Oct 1995
USAR
02 Jun 1996
- UK
Releases by Country
- Date
- Country
UK
02 Jun 1996
- Theatrical
USA
17 Oct 1995
- TheatricalR
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Review by megan ★★
this is what happens when we dont leave alicia silverstone the fuck alone
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Review by sav ½ 1
men are fucking disgusting and need to leave alicia silverstone alone
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Review by Eli ★★
Everyone wants to fuck Alicia Silverstone, no one actually does. As much as I love her, there needs to be more to the story than that.
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Review by jeniffer ★ 2
the gay tension between mark and jack could be cut with a knife
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Review by Larissa 🌙 ½ 3
Do men deserve rights? Discuss
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Review by cate ★
90 minutes of horrible men objectifying and perving on alicia silverstone ??? no thank you
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Review by single white femalien ★
what the hell
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Review by Keenan Tamblyn ★★
producer - "so what's this idea you have for a film?"
writer - "every gross manbaby wants to bone Alicia Silverstone"
producer - "and what's the rest of the story?"
writer - "rest of the story?"
producer - *hands over millions of dollars*
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Review by AWS ★½ 1
I was worried about watching this the same day as The Crush because they seemed like basically the same movie, but no need, because The Babysitter was joyless garbage. The polar opposite of The Crush, which is joyful trash. Most of this movie is nasty fantasy sequences, and it’s weird and gross. I would almost buy it as a condemnation of toxic masculinity if it had any interest whatsoever in the female lead as more than just a prop for nasty fantasies. It’s a complete waste of Alicia Silverstone. And it’s even a waste of character actor J.T. Walsh, who seems eager to make his performance more fun, but is being held back by a director who takes his own misogyny very seriously.
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Review by AD917 ★½
This whole movie is basically just a bunch of dudes perving on Alicia Silverstone. Leering at her. Fantasizing about her. Scheming up ways of fucking her. Oh, I can relate. Believe me. As a kid growing up in the 90’s I certainly had my share of dirty thoughts about Miss Clueless. Doesn’t mean I think it makes for a particularly compelling movie.
Thing is, there’s actually a pretty potent concept in here; as the male fantasies gradually turn darker and more violent, revealing the insecurities attached to the desires. But the handling of the material is so perfunctory that it just doesn’t amount to anything. Instead of titillating and subversive, it ends up being tepid and moralizing.
As usual, Silverstone makes for a likable and naturally sympathetic lead—at least in the few moments when her character has something more to do than just being ogled by the camera. But there’s not much to recommend here.
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Review by Erix Antoine ★ 1
Maybe writer/director Guy Ferland has a point about men and their one track minds. And about a woman's insecurity as she grows older in this modern age of ageism and sexism. And the impetuousness and hedonism of youth. And middle aged men not ever wanting to lose that youth.
Because this movie is about all those things. And maybe it's valid subject matter for an incisive, dramatic film made by an intelligent, subtle filmmaker.
But this is not that film. And Guy Ferland is not that filmmaker. Because he's used a bland, stylishly flat clothesline - full of staggeringly unappealing characters and not an ounce of wit - to hang this potentially compelling premise on.
The film's obvious points are…
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Review by Emalie ★★
a little slice-of-life movie about female experience, lollllllll
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